HONG KONG 2010 Directed by: Derek Yee Written by: Derek Yee, Chun Tin Nam, Lau Ho Leung Produced by: Henry Fong Cinematography: Anthony Pun Editing: Kwong Chi-Leung Music: Peter Kam Cast: Louis Koo, Daniel Wu, Charlene Choi, Li Bingbing, Chapman To, Alex Fong, Lam Suet, Andrew Lin, Kenny Lo
A blind man would find a plot quicker than TRIPLE TAP does: Derek Yee’s movie is an amazing disaster with at least as many plot holes as bullets fired throughout its ninety-something minutes running time.
DOUBLE TAP was a quite solid B-movie, but let’s be honest, it doesn’t exactly qualify for a sequel. With a well-known and rudimental storyline, two main actors, a few fine action sequences and otherwise nothing noteworthy at all DOUBLE TAP was the kind of flick you watch when your satellite TV signal drops out during a thunderstorm or as an appetizer on a movie night with friends.
Yee nevertheless was inspired to do another installment, so now let’s have a look at the “improvements” over the original (I assume the objective of a sequel is to excel): an incredibly confusing story with Louis Koo playing a fund manager (!) who is also one of the best marksmen (!!) in town (aren’t we all leading a double life as master shooter), a heist that doesn’t make sense, actors that have the same what-am-I-doing-in-this-movie expression on their face as Andy Lau in FUTURE X-COPS, very talkative dialogues (while having nothing to say), a lot of male camaraderie that borders on gayness (I hope the way Wu and Koo are looking deep into each other’s eyes all the time was scripted; otherwise…) and a plethora of entirely unrealistic plot threads, plot points and behavior of all characters.
During the first third you’ll wonder what TRIPLE TAP is all about; by the end of the last third you may still not have comprehended more. Between the opening and the closing credits some shootouts happen, murders, police investigations, huge amounts of money are juggled with, women come and go dropping stupid one-liners. I’d say you simply stop caring after a while if you’d ever started to care in the first place. It never comes to the point that we feel for anyone in the movie, or are interested to find out what’s behind the heist and the beef these guys have with each other.
All we wanted from DOUBLE TAP was a bit of after hours action. All we get from TRIPLE TAP is three times the B-ness. A few aspects about the movie may be quite ok, but when all is said and done there can be no doubt that TRIPLE TAP’s most prominent feature is causing fatigue. If boredom was currency, Derek Yee would be a billionaire.
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