Posts Tagged ‘battle royale’

DEATH BELL [GOSA | GOSA: PIUI JUNGGANGOSA | 고死: 피의 중간고사]

2010/08/29

http://www.gosa2008.com/

KOREA 2008  Directed by: Yoon Hong-Seung Written by: Kim Eun-Kyeong, Yoon Hong-Seung Produced by: Kim Kwang-Seop, Seong-Been  Cinematography by: Heo Seong-Ryong  Editing by: Yu Yeong-Ju  Music by: Kim Jun-Seong Cast: Nam Gyu-Ri, Kim Beom, Lee Beom-Su, Yun Jeong-Hee, Lee Chae-Won, Moon Woong-Ki, Kong Jeong-Hwan, Son Yeo-Eun, Eun Jung, Son Ho-Jun, Kwon Hyeon-Sang

If, I mean just if, you are interested to find out how BATTLE ROYALE looks like when transferred to a Korean School, then DEATH BELL might be your thing. I guess ripping off Japanese movies is some sort of late revenge.

A school in the middle of god-knows-where, students being killed one by one by some lunatic who is playing SAW with them, a mysterious past – ready is the Korean instant teen horror. There isn’t much more to the story really, so let’s move on.

DEATH BELL follows genre conventions in almost convulsive fashion: giving away some parts of its puzzle early on, the movie is scripted A-Z style. We learn about the school, its teachers and students, who the good guys and who the bad guys are, learn about relationships, then the killer strikes and the game begins. One down, twenty to go.

Along the way DEATH BELL presents some candidates who run for murderer, so you might want to take your pick and see if you’re right or not. The ending is predictable except for the “why?” question: the movie finally not only reveals who the killer is, but also his motifs. The conclusion is pretty far-fetched, so don’t pretend you saw that comin’: it’s not a bad ending, but it certainly is highly constructed.

While its script is standard, DEATH BELL is also anything but creative as far as the deaths are concerned. The least genre fans would expect are somewhat outstanding killings (that sounds terrible, doesn’t it); ever since FINAL DESTINATION we are spoiled, accepting only the most extraordinary hack-and-slash. Yoon Hong-Seung has forgotten about that (and it’s even more important to remember that if you have nothing else to offer).

DEATH BELL however is very content with being average and puts little effort into trying to excel. With its formal aspects being not much of an aspect the lackluster death scenes and random riddles the students have to solve have a hard time to keep us awake.

I managed though, but I don’t remember how. Don’t believe the hype: DEATH BELL is an average horror flick, catering to average expectations.

J.


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PREDATORS

2010/07/13

http://www.predators-movie.com/

USA 2010  Directed by: Nimrod Antal Written by: Alex Litvak, Michael Finch  Characters: Jim Thomas, John Thomas Produced by: Elizabeth Avellan, John Davis, Robert Rodriguez  Cinematography: Gyula Pados  Editing: Dan Zimmermann  Music: John Debney Cast: Adrien Brody, Topher Grace, Alice Braga, Walton Goggins, Oleg Taktarov, Laurence Fishburne, Danny Trejo, Louis Ozawa Changien, Carey Jones, Brian Steele, Derek Mears

Boom. Brody falls from the sky, smack dab in the middle of a tropical jungle. Gets up and realizes there are others like him: mercenaries, yakuza or criminals, all ending up on the – island (?) – with no recollection of what’s happened and how they got here. Very soon they’ll have other things on their minds: chased by abominable carnivores, walking from one lethal trap into another they begin to realize they are not here coincidentally, but are obviously part of some cryptic master plan. The only question is: who is the master and how do you beat him?

With Robert Rodriguez quasi-helming the project expectations were high that the PREDATOR franchise could be taken back to the roots of a man vs. alien all-out war, with some over-the-top set pieces and gross stuff a la PLANET TERROR as a bonus. In fact, PREDATORS literally is planet terror as it turns out. And Rodriguez initially doesn’t let us down.

First off, PREDATORS begins on a high note, with a great opening sequence and cool punch lines. Brody is exceptional; what Neeson did for TAKEN Brody does for PREDATORS. Impressive. The exploration of the jungle, the hints to what’s going on here and the first encounter with our old fiend friend keep us tied to the seat, eagerly waiting for the story to unfold.

But watching PREDATORS very quickly resembles watching the stock market on a bad day, opening on a high and closing on a low: PREDATORS lives up to fan expectations until lunch time, but then plunges and never recovers. What a shame.

With a strong cast (including Brody, Walton THE SHIELD Goggins, Alice Braga, Danny Trejo and Lawrence Fishburne), early action mayhem and enough mystery to keep us guessing PREDATORS is on course to genre movie greatness. Then however it becomes clear that Rodriguez first and foremost is a borrower, not a master blender.

Soon after the opening we feel LOST. I was willing to look the other way but it’s just too obvious. Yet, it works for a while. Then we walk into the tribal camps of CANNIBAL HOLOCAUST, marvel at futuristic planets just like the ARMY OF DARKNESS, finally we don’t know anymore if we’re on a planet or in a CUBE. When we meet John Locke in his cave – excuse me, Lawrence Fishburne / Noland –, it is too late to turn the ship around.

PREDATORS must have dropped its compass in the row, and the remaining forty minutes or so are as repetitive as the world’s most nonsense island saga. One after another gets killed, with the BATTLE ROYALE interspersed by the well-known thermal images: man vs. alien, man vs. man and beast vs. beast, they really throw in everything they’ve got.

Along the way the movie’s hard-boiled coolness and black humor keep flaring up, so PREDATORS is nevertheless watchable throughout. In fact, it is the best PREDATOR sequel to date (that includes the AVP spin-offs), but different from the original it lacks suspense and sophistication. I liked Antal’s KONTROLL that showed his ability to dramatize and change the pace anytime to steer the audience’s expectations, but it seems he lost control over PREDATORS and succumbed to Rodriguez’ tendency to outsmart everyone, including himself.

We are witnessing a tragic case of opportunities unseized. Too bad. Another one bites the dust. Two stars or the movie, one star for Brody.

J.