Posts Tagged ‘girls and guns’

ASSAULT GIRLS [ASARUTO GARUZU | アサルトガールズ]

2010/07/10

http://assault-girls.nifty.com/

JAPAN 2009  Directed & Written by: Mamoru Oshii  Produced by: Issei Shibata  Music: Kenji Kawai Cast: Meisa Kuroki, Rinko Kikuchi, Hinako Saeki, Yoshikatsu Fujiki

Together we can. Or so. That’s the metaphysical message of Mamoru Oshii’s latest live action experiment ASSAULT GIRLS. Picking up somewhat after AVALON in a quasi-sequel attempt and creating an Avalon 2.0 (online) gaming world called Avalon(f), three female players and one man are competing to advance to the next level.

But the fighting against some uberfiend is eating up all their resources and without sufficient credits they would need months to reach their goal. The only solution: join or form a group of players and fight as a team. After challenging each other for the longest time of the movie they finally join hands and destroy the enemy. Mission accomplished.

The movie runs 65 minutes and has substance for 10 but, gosh, do the girls look great. It remains Oshii’s secret however what he intended to achieve here. Disregard the eye candy and Oshii’s usual “visuals first” approach, the movie falls short of its own aspirations.

A significant 10% of the running time is spent on the epical prelude that is supposed to prepare ground for what follows. The world as we know it has vanished thanks to a ruthless orientation towards capitalism and individualism. After decades of war and political struggle the new world order settles with the status quo, avoiding any form of development, innovation or progress. Our existence is static, with one exception: Avalon(f).

Avalon(f) is the last resort of mankind’s ambitions, competitive nature and relentless me-first Darwinism, a virtual playground to go for gold and eliminate everyone else. Advanced technologies allow the player to put himself into the game, so 3D is so yesterday. Being completely immersed in the world of Avalon(f), the players fight for the only thing left worth fighting for – points and player rankings.

ASSAULT GIRLS is not your conventional SciFi movie, but you’d probably expect something different given this is coming from Oshii. ASSAULT GIRLS is a meditation on human behavior, our nature and purpose of existence. Trying to find this purpose is the player’s true goal, just as it is ours day in, day out.

Starting with the highly complex and philosophical introduction Oshii aims extremely high by giving us a lot of food for thought, unfortunately the movie never really answers any questions or follows its own pre-conditions and hypothetical construct. The beginning is intriguing, and then we keep waiting for ASSAULT GIRLS to fulfill the promise until the closing credits start running.

I cannot deny that ASSAULT GIRLS has some very strong moments, and its aestheticism is breathtaking at times, and its atmosphere is indeed meditative and contemplating, all of it making ASSAULT GIRLS a very beautiful film, but looking at it realistically it never really advances to the next level itself. It remains an Otaku fantasy, an exercise in high-tech filmmaking, Tsutsumi’s CHINESE DINNER in cyberspace.

Also I felt Oshii has been borrowing too much from others this time – scrutinizing film fans will notice a range of small details that we’ve seen before in certain Japanese and Western movies. That becomes even more obvious in view of the short running time.

The conclusive lesson that, even we may temporarily put the collective first, we never learn and will always end perceiving ourselves as the center of the universe, is logical but it wouldn’t have required a movie, not even a short one, to tell us that or any other of the philosophical lore.

What remains is a lot of non-directional thinking, SciFi action and girls-and-guns. ASSAULT GIRLS is pretty appealing and entertaining for an hour, but I can’t help feeling I am watching a trailer.

J.



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BEAUTY ON DUTY [MEI LAI MUK LING | 美麗密令]

2010/05/26

http://www.facebook.com/pages/mei-li-mi-ling-Beauty-On-Duty/303759054192

HONG KONG 2010  Directed & Written by: Wong Jing  Produced by: Lee Kwok-Hing, Zhuo Wu  Cinematography: Suny Shum  Cast: Charlene Choi, Benz Hui, Sandra Ng, Siu-Wong Fan, Tat-Ming Cheung, Lam Suet, Sammy Leung

I was honestly hoping that FUTURE X-COPS would be the most horrible movie Wong Jing is producing this year, but BEAUTY ON DUTY is really putting my nerves to the test.

I have been exposed to the typical Hong Kong humor and to Wong Jing’s version of that humor for decades. Sometimes it works or me, mostly it doesn’t. Humor is very subjective as well as a cultural facet, so in general it is very hard to tell funny from not funny.

Therefore I will not claim being objective when it comes to BEAUTY ON DUTY. On the other hand it’s a film released for the big screen and hence it is subject to criticism like any other movie out there.

Apart from the subjective quality of humor it must be noted that Wong Jing still cashes in on the same old recipe he is using since over 20 years now. He is still fooling the audience and they still don’t get it. The “story” (which is a rip-off and doesn‘t deserve a second of my time to recap here) provides a very basic framework for a non-stop firework of slapstick: no joke is too dumb, no topic too cliché-ridden and no overacting too much to provoke a reaction from the audience.

Everything has to be simple-stupid and as loud as possible. The smallest common denominator is what really matters. Nothing has changed for Wong Jing the almighty recycling machine since the 80’s: why invent it yourself when you can just steal it and make it worse? You got no ideas, no taste and no style? Go work with Wong Jing, there’s always plenty to do.

As mentioned elsewhere he could put is talent to better use, but unfortunately usually chooses not to. Even a veteran crew and cast cannot save a movie like BEAUTY ON DUTY, and seeing Sandra Ng, Tat-Ming Cheung or Andy Lau being degraded to clowns hurts – for a moment, then we realize they are generously compensated for their decision to act in junk like this. Shame on all of them.

BEAUTY ON DUTY is a disgrace to filmmaking. It has no artistic qualities whatsoever. If you are interested in watching a movie, look elsewhere. Your dog wouldn’t want to watch this one. BEAUTY ON DUTY doesn’t even come close to what is generally considered a movie.

BEAUTY ON DUTY is an un-movie. It’s must-miss cinema. And I am sure Roger Ebert would want to cut both his thumbs off seeing it (hope you read this review Roger, really).

J.


MADE IN JAPAN: YAKUZA – BUSTING GIRLS: FINAL DEATH RIDE BATTLE [BAKUHATSU! SUKEBAN HANTAZU: SOKATSU NAGURIKOMI SAKUSEN | 爆発!スケ番☆ハンターズ/総括殴り込み作戦]

2010/05/20

http://hunters-movie.com/

The here’s the “other” YAKUZA – BUSTING GIRLS movie: YAKUZA – BUSTING GIRLS: FINAL DEATH RIDE BATTLE is starting a week later and delivers more of the same. Look forward to another pinky violence revival, this time directed by Kazushi Nakadaira, starring Asami, Rena Komine, Sakichi Sato, Jiro Sato, Misato Tate, Rumi Hiragi, Yuki Matsumura and the rest of the gang.

J.