Posts Tagged ‘korean drama’

MIDNIGHT FM [SIMYA-UI FM | 심야의 FM]

2011/02/18

http://www.fm2010.co.kr/

KOREA 2010  Directed by: Kim Sang-Man Written by: Kim Sang-Man, Kim Hwi Produced by: Je Jeong-Hun, Kim Hong-Baek  Cinematography by: Kim Tae-Gyeong  Editing by: Sin Min-Gyeong  Music by: Kim Jun-Seong  Cast: Park Soo-Ae, Yoo Ji-Tae, Ma Dong-Seok, Choi Song-Hyeon, Shin Da-Eun, Jeong Man-Sik, Kim Min-Kyu, Jo Seok-Hyeon, Nam Ji-Hyun, Kwak Byung-Kyu

There are basically two kinds of thrillers: the type that gradually reveals the (secret) connection between the victim and the killer, including a climatic surprise ending, and the type that solely concentrates on a cat-and-mouse game with as many twists and turns as possible, trying to outsmart the audience with genuine ideas lending weight to its dramatization of terror. Either way, both concepts can be highly intriguing and artistic if everything comes together perfectly.

MIDNIGHT FM falls into the second category: the story about a popular TV anchorwoman and late night radio show host who is stalked by a madman starts conventional and sticks to its formulaic routine of attack and counter-attack until the end, interspersed by occasional guessing games and gimmicks, but otherwise predictable moves. Hostages, children, a suspicious fan, police investigations, time pressure and some incidences prior to the actual events are supposed to add extra thrills, but are all pretty much common elements of any genre film today. Meaning, unfortunately MIDNIGHT FM is far from perfect.

While MIDNIGHT FM proves to be a solid and relatively tight film throughout it lacks the extraordinary: it’s a movie you can watch, or cannot watch, either way makes no difference. You’re not going to miss anything that you cannot see on TV every second day of the week or the next best genre film brings to the table as well.

Without real highlight, without anything special to report, I am not sure what to write about: MIDNIGHT FM isn’t great, and it certainly isn’t bad, it’s an ok crime saga, a couple-compatible thriller made for a multiplex-audience seeking mild thrills but would otherwise be easily offended by I SAW THE DEVIL and the likes. MIDNIGHT FM is anything but award-winning material, so don’t let respective awards tell you otherwise (that’s not saying Soo-Ae’s performance isn’t worthy of a Best Actress award). Expect nothing much, and you’ll get exactly that.

J.

 

 


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IRIS: THE MOVIE a.k.a. IRIS – THE LAST [AHIRISEU | 아이리스 : 더 무비 | 아이리스 – 극장판]

2011/01/13

http://www.iristhemovie.jp/

KOREA 2010  Directed by: Yang Yun-Ho, Kim Kyu-Tae Produced by: Taewon Chung Cast: Lee Byung-Hun, Kim Tae-Hee, Jeong Jun-Ho, Kim Seung-Woo, Kim So-Yeon, T.O.P.

PREFACE: saying IRIS: THE MOVIE was a good or a bad movie in principle is impossible. The feature film following the successful KBS TV Series is essentially a re-edit of the 20 preceding episodes, plus additional unseen footage that is supposed to enhance the storyline, deepen certain aspects of the drama and answer some of the open questions. Meaning, not much of IRIS: THE MOVIE is genuine, entirely new or surprising to those who have watched the series before. Quite the opposite.

THE TV SERIES: IRIS the television drama is most certainly one of the best shows coming out of Korea so far, and it’s a great show by any standard. However, we shouldn’t be kidding ourselves and believe that IRIS is reinventing the wheel: IRIS is a carbon copy of 24, with Lee Byung-Hun reprising the role of Kiefer Sutherland. Along the way the plot, storyline, characters and dramaturgy are purely 24, the NSS agency, the terrorist attacks, the assassinations, the betrayals, the government involvement, the secret organization, all the way down to many of the details that are 24 by the book (like, oops, wrong warehouse, or “give me that friggin’ code NOW”).

Furthermore, the television drama may be a very good adaptation of 24, but it simply lacks its cinematic aesthetics. The HD video look is irritating and drags down the overall quality, making it anything but fit for the silver screen. Consequently, it has been mostly aired on IPTV / cable TV channels so far, but Japanese audiences will have to brace themselves for that odd video look when the film hits cinemas in January. IRIS had a very big budget by Korean standards, but they forgot to invest it into 35mm film. Too bad: if there’s one distinct quality trademark it’s celluloid.

THE MOVIE: now the big question is who exactly is the target audience for this mashup of a movie? Any which way I look at it IRIS: THE MOVIE fails. That is because re-editing 20 episodes into a single film results in an incomprehensible mess. IRIS: THE MOVIE is free of any character development (let alone introduction), it randomly jumps in and out of scenes, nothing is sufficiently explained or integrated into the larger context. The whole movie feels like a very, very long trailer. Right. A trailer. That’s what it is. A two-hour long trailer, a never-ending best-of compilation. If you haven’t seen the series you’ll be repeating one sentence from beginning to end: what the heck is going on?

Die-hard fans of the series will of course disagree and say that IRIS: THE MOVIE is grrrrrreat, but that’s because they have seen the twenty episodes before, and what the movie does is that it triggers sweet memories. So that’s self-deception. Without those memories, it simply doesn’t work: IRIS: THE MOVIE is an executive summary not worth watching. It’s rushed, incomplete and dissatisfying, most of all it doesn’t substitute watching the series.

CONCLUSION: if you are interested in the series, avoid IRIS: THE MOVIE at all costs. It doesn’t do any good, in fact, it will seriously spoil the TV drama experience. And if you are not planning to watch the series, still there aren’t any good reasons to waste your time with IRIS: THE MOVIE as it simply isn’t a movie in the first place.

J.